Jungian analyst Diana Heritage explores the ways that Terrence Malick's film evokes that which we yearn to know--but most likely never will.
Scholar Mathew Spano explores the tension between Jung's own desire that The Red Book not be viewed as art and the ways in which it reflects deep structural and stylistic similarities with such great modernist works as Ulysses and Steppenwolf.
Jungian psychotherapist Barbara Platek explores the ways the appearance of animals in the dreams of women evokes the power and potency of the deep feminine and its connection to body and instinct. This article was originally published in Psychological Perspectives in 2008.
